Here's a bibliography of score following research over the past 10 years that might be of use to some people since it has been a recently discussed topic on the list. I included Robert Rowe's text as a reference as it contains a lot of important related information.

Jason D. Vantomme, Programmer/Analyst
Institute for the Learning Sciences, Northwestern University
1890 Maple Avenue, Evanston, IL 60201
Ph. (708) 467-2129

Allen, P. and R. Dannenberg. 1990.
"Tracking Musical Beats in Real Time."
Proceedings of the 1990 International Computer Music Conference. San Francisco, CA: Computer Music Association. 140-143.

Baird, B., D. Blevins and N. Zahler. 1990.
"The Artificially Intelligent Computer Performer: The Second Generation."
Interface - Journal of New Music Research 19: 197-204.

Baird, B., D. Blevins and N. Zahler 1993.
"Artificial Intelligence and Music: Implementing an Interactive Computer Performer."
Computer Music Journal 17.2: 73-79.

Dannenberg, R. 1984.
"An On-Line Algorithm for Real-Time Accompaniment." Proceedings of the 1984 International Computer Music Conference. San Francisco, CA: Computer Music Association. 193-198.

Dannenberg, R. 1988.
"New Techniques for Enhanced Quality of Computer Accompaniment."
Proceedings of the 1988 International Computer Music Conference. San Francisco, CA: Computer Music Association. 243-249.

Dannenberg, R. 1989.
"Real-Time Scheduling and Computer Accompaniment." Current Directions in Computer Music Research. Eds. M.V. Mathews and J.R. Pierce. Cambridge, MA: MIT Press. 223-261.

Dannenberg, R. and J. Bloch. 1985.
"Real-Time Computer Accompaniment of Keyboard Performances."
Proceedings of the 1985 International Computer Music Conference. San Francisco, CA: Computer Music Association. 279-290.

Dannenberg, R. and B. Mont-Reynaud. 1987.
"Following an Improvisation in Real Time."
Proceedings of the 1987 International Computer Music Conference. San Francisco, CA: Computer Music Association. 241-248.

Puckette, M. 1990.
"EXPLODE: A User Interface for Sequencing and Score Following."
Proceedings of the 1990 International Computer Music Conference. San Francisco, CA: Computer Music Association. 259-261.

Puckette, M. and Cort Lippe. 1992.
"Score Following in Practice."
Proceedings of the 1992 International Computer Music Conference. San Francisco, CA: Computer Music Association. 182-185.

Rowe, R. 1993.
Interactive Performance Systems.
Cambridge, MA: MIT Press.

Vantomme, J. 1994.
"Score Following by Computer: An Approach by Temporal Pattern." M.A. Thesis.
McGill University, Faculty of Music.

Vercoe, B. 1984.
"The Synthetic Performer in the Context of Live Performance."
Proceedings of the 1984 International Computer Music Conference. San Francisco, CA: Computer Music Association. 199-200.

Vercoe, B. and Miller Puckette. 1985.
"Synthetic Rehearsal: Training the Synthetic Performer."
Proceedings of the 1985 International Computer Music Conference. San Francisco, CA: Computer Music Association. 275-278.

http://crca-www.ucsd.edu/bobw/scorefol.htm | crca | vantomme@ILS.NWU.EDU
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